Wednesday, September 18, 2024

Favors in progress

 So the latest thing I've been working on are some favors. Just after Pennsic, I became a student to Maestra Lucia Elena Braganza and, being the sort who likes making things, decided to embroider up a couple of favors using her heraldry that we as her students and apprentices could possibly use.

Enter The Sun In His Splendor. Oooh ahh.

I found some clip art of a sun that I liked and reduced it to the right size. Thinking on how to best get the pattern onto black linen, I thought this might be a good opportunity to try out a technique called Prick and Pounce where you basically poke holes along your design then use a powder (chalk, charcoal, that kind of thing) to transfer the pattern.

It sort of worked. Maybe I needed bigger needle or, as I saw suggested one place, I could have sanded down the back to smooth out the paper and allow the powder to get through better. Found some white ink pens to join up the dots. One turned out better than the other because I chose to do that one a little differently. I took my white pen and poked that through the holes to get the pattern on the other side instead of the powder. Worked a little bit better.

Next to the stitching. I want these to be fairly sturdy so chose to use DMC cotton. For the first one, I tried DMC cotton perle size 5. That didn't work as well as I'd hoped. It's also been a while since I did free form embroidery so it took me a while to get back into the flow of doing stem stitch. The perle wasn't great for the split stitch either. The black outlines were added afterwards, just backstitch over the top. All in all, I'm not terribly happy with how the first one turned out so I am trying to decide if I want to pick it out and redo it.

For the second one I took a different approach. I decided to try the DMC floss. Already much better. I did the black outlines right away and my stem stitch got much better after the practice. What fun doing black on black! Haha, but it is much better as you can see. The split stich looks a lot better with the floss also and I am much happier with this one.


Poking the pouncing holes into the pattern. That's my needle sticking in there.


Tilted the paper so you could see the holes.


After pouncing the first one and starting to try to trace over the lines. Not great.


Managed to get the pattern drawn out, but isn't very good. A lot of things are "off".


This is the second one. I just poked my pen through the holes in the paper pattern and it was much easier to see and connect up.


Started on the first one. Filling in the center with a spiral of stem stitch. It's been a while so my stem stitch isn't great at this point.


Stem stich for the center. Stem stitch outline on the straight rays with sort of a klosterstitch fill. Tried a split stitch outline on the wavy rays. It just all seems clunky and I think that's the cotton perle.


Finished up filling the wavy rays with more split stitch. Yeah, clunky.


Adding on the black outline. Not great, but I think it is helping.


Outlines finished and face added. He's a little derpy but kind of cute. Just not happy with this one. Not how I was envisioning it.


Starting on the 2nd one. Switched from perle to floss. Much better. Stem stitch much improved. Black on black is fun.


Black stem stich outlines and details which are hard to see yet. Filled in the center with split stitch. Working much better with the floss. The straight rays are outline in stem stitch again and filled in with split stitch.

Tuesday, August 13, 2024

Pennsic 51 Known World Arts & Sciences Display

 I decided to head back to Pennsic this year after a 12 year hiatus. By far the highlight of the week was participating in the Known World Arts & Sciences Display. This is a display, not a competition, and allows for folks to do just that, display their work. You can sign up to have an A&S Consultation if there is anything you feel like you need help or advice on, but mainly you sit there and chat with everyone who walks by.

I had great conversations! Some were with new people, some with Laurels and other "high mucky muck" people. :) Made wonderful connection including with one or two people who want to collaborate on updating and compiling German Brick Stitch sources and research. One of the best moments was getting to fangirl a bit and meet Master Richard Wymarc who literally wrote the book on German Brick Stitch and still runs the website that is still the best place to go to start off (https://www.wymarc.com/). He took a lot of pictures of my projects and declare that I was "insane." 😂 I said that coming from him, I took that as a high compliment. Handed out some documentation and lots of business cards. Hopefully folks find their way here and find it helpful.

Below are a few photos from the display.







Wednesday, July 24, 2024

Basic Embroidery Equipment Class Handout

 (Sorry this isn't in a pdf that you can download. I haven't figure out how to do that in here yet.)

Basic Embroidery Equipment
So You Can Get Started

Lady Margaret of Hollingford, CW
Barony of Sternfeld, Middle Kingsdom
Holli Hartman
hollihartman@gmail.com
https://hollingfordmanor.blogspot.com/

 

An extremely practical guide to some of the items you will need to get started on your embroidery path.

 Needles

·         Blunt or Round End

o   aka Crewel or Tapestry needles

o   Good for counted work like cross stitch, long arm cross stitch, German brick stitch, needlepoint, any fabric with open holes

·         Sharp End

o   aka Embroidery (shorter eye) or Chenille (longer eye) needles

o   Good for surface embroidery that isn’t counted like stem stitch, chain stitch, split stitch, laid and couched work, etc.

·         Long eye vs short eye: longer eyes can be gentler on the thread, less wear and fuzzing, and are easier to thread

·         Needle Size

o   The lower the number, the thicker the needle

o   Size will depend on the thickness of your thread or how many strands you are using

o   You want to be able to pull the thread through easily but not make a huge hole

o   There should not be a gaping hole around your thread

o   If you are hearing a loud zipper type noise, if your fabric is really pulling or denting, or if you are struggling to pull the needle through, you need a bigger needle

·         Needle Material

o   Most needles today are nickel-plated steel

§  Inexpensive, easy to find

§  Some people find they tarnish easily

§  Not good for nickel allergies

o   Gold or platinum plated steel

§  Can be harder to find and a bit more expensive

§  Never seen platinum ones in the store but I hear they exist

§  Supposed to be more tarnish resistant

 Fabric

·         You can definitely embroider directly onto whatever you want to decorate if you want, so onto your garb or whatever fabric you have, do not need to buy anything special

·         Some people find it easier or more convenient to embroidery onto something separate, like a fabric band, and then sew that on

o   Easy to remove for cleaning or reusing

o   Easier to carry around while embroidering

·         The smaller the thread count, the less threads in an inch, the bigger the holes in the grid

·         General types of weaves of embroidery fabric you’ll find at your local craft store

o   Aida

§  Typical cross stitch fabric

§  Available in cotton, linen, blends, most anything, usually cotton in stores

§  Can be stiff

§  Not really a good choice for being period, but in a pinch could be ok

o   Evenweave

§  Available most commonly in linen or cotton

§  Vertical and horizontal threads are even, same count both ways

§  Forms an open grid with nice clear holes

§  Best for counted work, can be used for surface work

§  Canvas is similar with a very open mesh, comes in single or double threads, good for needlepoint and similar, comes in cotton, linen, and plastic usually

o   Plainweave

§  This is what your typical sewing linen or cotton muslin usually is

§  There is not always uniformity vertically and horizontally

§  The weave is tighter and more woven look and feel

§  Good for surface embroidery that doesn’t need a grid. Can also be used for counted work, but might not be very uniform and the holes tend to be tiny

 Hoops and Frames

·         Don’t have to have a hoop or frame but it really helps with the tension of the fabric and holding your working area and some stitches just won’t work well without one

·         Want the hoop or frame to be big enough that you don’t have to move it around a lot and aren’t squashing the already embroidered parts, but not so big that it is hard to hold and handle

·         Hoops

o   Screw tension: has a screw that adjust the tension

§  Inexpensive and easy to find in almost any craft store. There are very fancy nice ones also

§  Come in wood/bamboo and plastic.

§  Look it over and make sure it doesn’t look warped and doesn’t have any splinters

o   Spring tension: has a spring that snaps one metal hoop inside the other plastic one

§  Also usually inexpensive and easy to find in craft stores

o   Flixi: flexible vinyl that fits over

§  Not a great option, but might be worth trying out

o   Do I need to remove the hoop when not working?

§  Short answer? Yes, especially if the entire project doesn’t fit inside the hoop

§  If your hoop circles the entire project and any creases will be outside of the area you’re concerned with? Then you can get away with it. But you still should.

·         Q-Snaps

o   Plastic frame that looks like pipes and comes with clips

o   Useful for certain applications

·         Slate Frames

o   Wooden frames that your project gets sewn into essentially

o   Some swear by these, especially for period embroidery

·         A stand or holder can be very useful and frees up both hands

 Thread and Yarn

·         Cotton is going to be the easiest to find in craft stores and is perfectly fine to use!

·         Silk, wool, and linen are more period choices and can be great to work with as you get into more period embroidery and especially if you want to enter into A&S competitions. Silk and wool are usually the most common

·         Embroidery Floss (aka Stranded)

o   This is your typical DMC cross stitch thread

o   Comes in cotton and silk usually, though I’m sure you can get it in linen and wool

o   Usually 6 strands, sometimes 12

o   You can separate out however many strands you want to use for your project

o   Good for counted work and surface embroidery

·         Perle or Pearl

o   Also usually found in most craft stores, though usually only in one size

o   Usually in cotton or silk

o   The higher the number, the finer the thread

o   A twisted thread that you DO NOT divide!

o   Good for surface embroidery, ok for counted work

·         Crewel Wool

o   2 ply wool, thinner than tapestry wool

o   Do not divide!

o   Great for surface embroidery, particularly for laid and couched work (Bayeux tapestry stitch), also good for canvas work

o   Worsted wool for embroidery is similar and can be divided

·         Tapestry Wool

o   4 ply wool, thicker than crewel wool

o   Do not divide!

o   Great for mostly canvas work, not as good for surface embroidery but could work for some things

 In conclusion

You really just need fabric, thread, and a needle. The rest is details. It all depends on how you want it to look, what materials you can find, and what works best for you. Try different things. See how they look. Try out the tools and see how it goes. Ask around your local group for things to borrow and try out if you don’t want to buy first.

Links

https://carleinblog.wordpress.com/sca-embroidery-myths/

My favorite myth busting blog post

https://www.dmc.com/US/en

DMC’s website. My go to for regular, everyday embroidery. Easy to find in almost every craft store. They have a new wool crewel yarn which I haven’t tried yet.

https://www.rainbowgallery.com/

Rainbow Gallery’s website. Excellent company for silk embroidery thread. Their Splendour silk floss and Grandeur silk perle are my favorites for silk. They are available at Persnickety Stitchers in Zionsville, IN.

https://www.persnicketystitchers.com/

My favorite specialty embroidery shop to go to in Zionsville, IN.

https://cottesimple.com/articles/medieval-embroidery-on-clothing/

A great article on the use of embroidery on clothing. Great examples, thoughts and speculations, as well as some good how-to’s on basic stitches. 

https://rsnstitchbank.org/

Royal School of Needlework Stitch Bank. The go to place to look up embroidery stitches and learn about their history.


Thursday, July 18, 2024

Sternfeld Arms Finished, Pt 2

 And here we have it all finished!!!


Now the idea is for this to be a tablecloth that Their Excellencies can use on the table or box between their thrones. But since drinks are often set on that, I want it to be washable also. So I cut out around the shield and am attaching it to blue linen.

I wasn't too thrilled with my first attempt at whip stitching it to the main cloth.

So I redid it and now I am much happier with it. It was presented to Their Excellencies at our Baronial Birthday.







Sternfeld Arms Embroidery... Finished, Pt 1!

 Well, I haven't been very good at keeping you all updated on the progress of this. Sorry about that! It is done! So here is the progress from where we last left off to the completed state. :)

So here I am continuing to fill in the large gold area in the center. I decided to fill in areas, rather than try to go all the way across then all the way back. Seemed to make sense.


And now with the fill all the way around the wreath. That was a bit fiddly but I think it came out well.


The whole middle area all filled in and working on the next diagonal bend.

Filling in the stars in the upper corner and working on the bend.


Decided to then do all of the outlines before finishing up the fill.

Finished up the outlines and getting started on the blue fill


Photos of the finished project to follow!









Tuesday, February 27, 2024

Progress on Sternfeld Shield Embroidery

More progress made on this project. Getting the yellow done first. Below, I had some stars done and was part way through stitching down the gold bend up towards the top.

Tried to get a close up of one of the stars to show the steps in them. Below is the star filled in with the laid stitches.

And below there are three crossing stitches, one across the middle and one each on the upper and lower points.

And finally, the couching stitches, one in the middle of each of the upper and lower points and three across the middle. Also a good close up of the gold bend.


And now I am working on the large gold area in the middle. I went back and forth over how I wanted to approach this since there is a big wreath in the middle of it. I ended up deciding to do the "smaller" sections on their own. So far it's working fairly well, but it's a big area.

Thursday, February 22, 2024

Brick Stitch Heraldic Cushion Progress Photos

Progress Photos


Beginning to lay out the extant pattern using 2-thread stiches in Excel


Charting out the double-headed eagle using 2-thread stitches


Further charting of the extant pattern using 2-thread stitches


The extant pattern charted over 2 threads.


The extant pattern charted over 4 threads on the left, 2 threads on the right


Starting to chart out the Sternfeld arms


Working on different ways to do the Sternfeld stars


Charting the Midrealm arms


Comparison of the 4-thread stitch stars on bottom, and the 2-thread stitch stars on top


Printed out copy of finalized pattern


The stitching begins


First shield almost completed


Outlining of the shield grid


Starting the dragons


Beginning the yellow stars and bends


Starting the blue fill and red areas


Dragons and yellow areas completed


One small corner completed


Shields completed and work begun on green fill


Stitching completed


Selecting the back panel fabric


Beginning the braided edging


Finishing the end after stuffing


The finished product